Dragged to Hell Volume 34 is the second part of my series celebrating the music of Baltimore.
The first was rock, this is beats. Hip hop, electronic tunes, synthpop; if it is beat driven and from the city, it was featured.
This musical journey starts in the Baltimore club, and ends with some classics by some of the city’s top musicians. 17 tracks, 58 minutes.
Photo of Rapdragons (from ScapeScape 2013) by me
Dragged to Hell Volume 21 is a special, dance party ready mix. I have selected tunes from the last few months (not all songs are that new, some are just that new to me) that fall in the hip hop, dance, electronic, industrial, and whatever I felt fit the mix.
Silk Rhodes – Barely New
Sage The Gemini – Gas Pedal (Meth Dad Remix)
Lttle Phnx – Koromiko
Chris Travis – Let Down
Death Grips – Black Quarterback
Mykki Blanco – Moshin In The Front feat. Cities Aviv
ABDU ALI & BLAQSTARR – I, EXIST (BLAQSTARR REMIX)
Yung Lean – Sandman
Matic808 – Bound 2 (Yeezus)
clipping – mouth (ft. black mushroom, chinaka hodge)
Frontline Assembly – Echogenetic (Youth Code)
YTCracker – Convalescence
☠JAYYEAH☠ – The Swing 1767
Dean Garcia– Fifteen
Nerftoss – Bottomless
How to Dress Well – A Power
December – snow, playoffs, fireplaces, Christmas… And end of the year lists. This is the first of three that I will be posting. Each will be 10 releases, LPs or EPs, grouped together in a particular way. The first list is my favorite (not best of, I hate that term) releases from Baltimore artists in 2014. In addition, I made a mix that can be heard on Mixcloud, featuring one track from each release:
WIldhoney – Seventeen Forever: First up is the newest EP from shoegazers Wildhoney. Three slabs of walls of sound, mastered by Jake Reid of Screen Vinyl Image fame.
Wye Oak – Shriek: Wye Oak changed it all up. No longer did guitars rule this duo. The old formula was vocals plus guitar plus drummer who is also playing bass parts as he drums. The new formula was singer playing bass with a drummer who is also playing lead parts on synth. This new synthpop sound really works for them, and I spent an excellent evening at the 930 Club this year watching them do their new thing.
Mt Royal – Mt Royal EP: Anything Katrina Ford is on is excellent. Mt Royal’s debut is not any different. I had patiently waited for this for a long time after seeing them perform a few times.
Future Islands – Singles: This could almost be called the year of Future Islands. They went from local darlings to one of the biggest indie bands in the planet. Their Letterman appearance shouldn’t need to be mentioned – their music does the speaking for them. This release followed their trajectory of pushing their envelopes with lyrical composition, vocal styling, soundscapes and other synth goodness, and their ever steady bass anchoring it all together.
Silk Rhodes – Silk Rhodes: This release is pure funk. Disco, funk, soul… It all exists in the same realm for these two Baltimore artists. This is extremely danceable. I have not had the pleasure of catching them live (versus every other artist on this list, at least once, if not several times) but hope to remedy that in 2015.
Wing Dam – Shifter: Wing Dam followed up their last classic with another classic. I had already heard a lot of these songs live, and instantly dug it. I was fortunate to be allowed to sit in the producer booth while they recorded a couple of these, and for that I am eternally grateful. It was quite the experience and it was a lot of fun to hear the finished product, and see some of the recording process first-hand. They are one of the funnest bands to catch live, and some of the nicest people around.
Hive Bent – dyatlov: Two piece that crush. Heavy heavy heavy. I don’t have much more to say other than I love Hive Bent. Go grab their newest EP, you wont regret it.
Multicult – Variable Impulse: Multicult are another great band on record and live. The on one hand look to Shellac for inspiration and on the other surpass them in terms of energy.
Roomrunner – Seperate: Roomrunner’s newest EP is a bit of a departure for them sonically. This time around they recorded with J Robbins, who helped the record catch a slightly different groove than their previous (and excellent) releases. They still look towards the 1990s, but this time you can feel a variety of influences creep in.
Horse Lords – Hidden Cities: One of the most intriguing bands to see live. Their rythum cant be beat. I have been mesmerized in a trance every time I have seen them. This record does a good job of captuing their vibe, but if you haven’t seen them live, do yourself a favor and check them out.