2016 was a great year for all types of hip-hop. My ten favorite releases:
STS x RJD2 – STS x RJD2
Black Zheep DZ – Mirror, Mirror
Shark Tank – Don’t Fuck With Us
Sortahuman – SORTAHUMAN4LIFE
Death Grips – Jenny Death
JPEGMAFIA – communist slow jams
Drake – If You’re Reading This It’s Too Late
BLVCK CEILING – Trap Magic
Young Thug – Slime Season 2
Junglepussy – Pregnant with Success
STS x RJD2 – Tennessee
Black Zheep DZ – The Other Side [Prod. Rvdical the Kid]
Shark Tank – Nighttime Men pt. 2
Sortahuman – EVERLASTING (PROD. BY BIG LOS)
Death Grips – Pss Pss
JPEGMAFIA – lemmy
Drake – Madonna
BLVCK CEILING – poor it Up
Young Thug – Big Racks
Junglepussy – Only Way
photo by me
Dragged to Hell 44 is a mix of mostly electronic music. Some of it is hip hop; some dark electronic; some pop; but all have some kind of electronic element to the music. Most tracks are fairly some; some are a little older. Enjoy!
1.I’m the Shit by BLVCK CEILING
2.Remind Me (Prod. by d e t e n t e) by Gurl Crush
3.Overdosin by Young Thug
4.Switch Hitter by Autre Ne Veut
5.Say Goodbye (feat. Keiska & Tielsie) by DJ Paypal
6.Baltimore by 83 Cutlass
7.Suffering (Tuesday) by Co La
8.Lost in London (feat. Petite Noir) by the Shoes
9.Started from the Bottom (Chopped and Slowed by killsaly) by Drake
10.Koopa Cookies by Venetian Snares
11.Rock My Chain (feat. M80) by Fetty Wap
12.Disremember/Dismemberment by Doomsquad
13.Breakaway by Great|Scott
14.Lullaby (feat. Slum Savage) by Psychoegyptian
15.have brought her by couples counseling
16.I Wanna Get Better (feat. Tinashe) by Bleachers
Bleachers at SoundStage in Baltimore photo by me
25 episodes of Dragged to Hell down! This episode features shoegaze, Baltimore post rock bands, hip hop, witch house, guitar shredding, industrial madness, and rock and roll. I decided to start writing a sentence or two on why I included each artist, along with the usual links to their sites. I am going to attempt one or two episodes a month in 2015. I am also planning on writing about every show that I will go to (which should be around one a week this year).
Whirr – Lean: This track is from their 2014 split release with Nothing.
dead mellotron – totaled: I love dead mellotron. Not only are they local to me, but they do the shoegaze genre justice. They are back after a brief absence, and I cant wait to see them live again.
technicolor teeth – Tomb: This release is a collection of unrelated songs, from a few years. But I would like to measure this release to actual “albums”, and I think it ranks high.
Youth In Bloom – Dismantled: More shoegaze fun. I dont know much about them other than they represent Pennsylvania, and have an excellent EP.
Alvvays – The Agency Group: I am late to this party. Poppy sing along but at the same time a bit dreamy.
MANNEQUIN PUSSY – Someone Like You: I love these punkgazers (?). They have excellent hooks in their tunes, and excellent sustain on their fuzz pedals.
Big Hush – Honey: I do not know much about this DC band. I do dig the EP that this is from though.
One Watt Sun – Rudimentary Origami: One Watt Sun’s album is killer. So good. Stop reading this and go buy it!
Steve Gunn – Drifter: Steven Gunn is an amazing guitarist, and this album is a fun journey though a few rock subgenres.
BLVCK CEILING – ROCK BITER: I am a huge BLVCK CEILING fan. This track is off of his ode to the Never Ending Story album, called Bastian, from a couple years ago. Somehow I had skipped getting this one and recently rectified that.
Eyedress – My Hologram (Nothing Special): Eyedress is a producer from the Philippines. He makes dark electronic ditties like this one. His mixtape is out on the internet for free (called Hearing Colours) and is worth seeking out.
the Water – Personality Hall: The Baltimore post rock duo the Water just released a new LP. I really dig it.
Front Line Assembly – Pulse Charge: I never got into them back in the day, but like the stuff I have heard.
Panda Bear – Butcher Baker Candlestick Maker: Panda Bear of Animal Collective recently released his newest album, Panda Bear Meets The Grim Reaper. The album is probably going to be in my favorites of the year list at the end of the year. Chopped vocals, vocal delays, electronics, guitars; this album runs the gamut of musical ideas and manages to stay fresh throughout.
Photo of One Watt Sun by me
As the backdrop of the final act of the night raised into position, I found myself wondering how I had got there. What was I doing at a Limp Bizkit concert in 2014?
This adventure started off like most others, because of something on the internet. I have followed the artist BLVCK Ceiling (and became friends with him on Facebook) since 2010. He is essentially a first-wave witch house artist. He was originally calling himself Max Beta, and the first project of his that I heard was a collection of Lady Gaga remixes that I really enjoyed (http://maxbeta.bandcamp.com/album/gagaocean-max-beta). Since then I have purchased everything he released, and chat with him occasionally on Facebook.
(my BLVCK Ceiling physical collection, I have all of his other music in digital format and all are available at his Bandcamp)
Fast forward to 2014; where I catch a post by BLVCK Ceiling. Not just any post, but a post saying he was going to be opening for Limp Bizkit on his tour. “This cant be right,” I said to myself, but after doing a tiny bit of digging, the rumor was confirmed. I didn’t think too much of it until I saw they were rolling this circus (also including rapper MGK) to Silver Spring.
(Note: There is a video out there of Fred Durst bobbing his head to music by Salem, the godfathers of witch house. I am pretty sure BC was booked because of Fred’s apparent new love of the genre).
Anyways, I really wanted to catch BC. He is in my top favorite instrumental artists (and I LOVE his collaboration with Moon Mirror, That Was Then This is now) and I looked up the price. Over 50 bucks… No, that was a little too rich for my blood to go to see two artists I had zero interest in, and BC. So I casually mention that to him on Facebook:
“Too bad the tickets for the Fillmore show aren’t cheaper… Hopefully this is the first of many BC shows in my area… Have fun! I love that venue. The sound system is seriously top notch. How to Destroy Angels on it was breathtaking. I am looking to see if there are any contests going on for the show.”
“Which show you want to see? I can put you on my guest list”
“The Fillmore silver spring show. That would be amazing…
And a million thanks in advance. You just made my week”
“No prob, I will put you on +3 so you can bring some friends”
So there I was: four tickets for a Limp Bizkit, BC, and MGK show that I didn’t dream of attending. I tell my fiancé about this, and she freaks out and gets excited, as Limp Bizkit was one of her favorite bands when she was a kid. We decide to ask two of her friends, since I knew one of them loved MGK, and we had our crew.
The day of the show I check the Fillmore’s website and Twitter; doors at 7, music at 8. This was perfect, we had time to grab her friends, park, and get into the venue before 8pm. I realized something was wrong as I was in line to get in. The music I could hear didn’t sound very much like BLVCK Ceiling… I dashed inside and realized it was MGK and crew starting his set. I rushed back to the lobby and looked at the set times sign; 7 to 7:30 was when BC played. I had missed it. I was crushed and now I was going to be stuck at a show that I had zero interest in, for at least the next 2.5 hours.
The first thing to note is that there were two distinct tribes of concert goers at the show. The first group was the MGK fans. This was a younger crowd, in their teens and maybe a few in their early 20’s. They could possibly be the new Juggalos. They were all in the same basic uniform, wearing the following MGK items: caps, bandanas either around their head or around their neck, and some also threw in vests that were covered in MGK patches. They were also the ruder of the two tribes. I witnessed a congregation of about thirty of them (all dressed the same) in the lobby while Limp Bizkit was playing (I wandered around a few times looking for my friend) and looked like quite the gang. The Fillmore was packed during MGK’s set, and I think at least 20% of them took off after MGK played.
(crowd shot, the ones on the right were some of the MGK gang)
And speaking of MGK playing… Wow. He had a Mohawk. He had a drummer, bassist, guitar player, and computer guy. And about three hype men. Why someone needs that many hype men when they are about as amped up as anyone I have ever seen is beyond me. He was all over the place; telling the crowd to smoke weed, somehow climbing into the balcony and magically coming down by his next verse; having a microphone stand with a fake pistol on the end that he would point into the crowd as gunshot sounds played over the system; and generally seemed to have an entertaining time, and his fans loved every second of it. It really wasn’t my thing, but it was entertaining enough, and I was able to do some good people watching (we were in the back near the stairs to the basement and the door to the lobby for his set).
There was definitely good people watching to be had, there were some interesting types running around. Football jerseys flowed, including a Falcons Vick jersey wore by a small white dude (I think most of the crowd was white, though not all) who was also wearing shorts with long dress socks pull up in his athletic shoes. Or the guy with the Compton hate. There were plenty of hats. Almost ever guy had either a baseball cap or a knit cap. I have never seen so many hats at a show in my decade plus of attending shows in this area. This turned out to be an issue – as I looked for BC that night, he in Facebook looked like a lot of the crowd; black hat, bearded, white dude, with tattoos. As the MGK crowd left, the rest of the place seemed noticeably nicer.
We moved up a little bit so my fiancé could see. After a slight weight, the Limp Bizkit sign was in place, and music started playing. It was some game show music song as the band took the stage. And there they were. Limp Bizkit. Fred no longer had a soul patch, but a grey beard. His signature red hat was also missing, with a white cap now claiming that real estate. And then surprisingly, I had a good time for the next 90 or so minutes. Fred was a great front man. I never got into them, and only knew their biggest tunes, but the crowd was way into it, and singing along to everything. The fans were definitely a mixed crowd, mostly 30s/40s with some 20 year old and teens thrown in. We even saw two 10 year old girls going nuts the whole time (I think their parents must have been these heavier women who took up residence in the stair well for the show). Everyone was dancing and having a great time, my fiancé including.
I wish I could say that it was a horrible experience, but in truth, it was a lot of fun. Fred was a charismatic frontman, and he had lots of banter during their set (but not too much) and maintained a high energy level throughout. The band sounded ok (especially Wes, I dig some of his guitar work; I was also surprised to see him in a full body latex suit/mask thing) and played a mix of songs I had heard before and ones I hadn’t, but the crowd seemed to love them all. The time flew by and by the end, while I wasn’t a Limp Bizkit fan all of a sudden, I did have appreciation for the band, and their seemingly passionate fans.
A couple final notes on the LB set:
Fred (I guess) joking told everyone to put their cameras away and throw people’s who didn’t comply
The bass player kept spraying crowd with his bottles of water
Fred Durst passed water bottles out to people in the front
The tallest person I have ever seen was there and Fred mentioned him
The covers of the night were Faith (yay!) and a not that great Killing in the Name cover, which the crowd loved.
They randomly played two songs by the DJ during the set. Move by Ludacris and Up in Here by DMX
Fred had to tell people to mosh. Don’t tell people to mosh (or dance) move them with your music
Everyone who pushed past me said excuse me during LB
Fred called Fillmore “intimate”; I guess for him maybe
Sadly I didn’t meet up with Dan; he finally messaged me back on Facebook as we were driving off. Maybe next time he said. And he also told me that Limp Bizkit is now fam.
This guys pants…
the tallest person I have ever seen…
Lastly, thanks again BLVCK Ceiling!
The fifteenth edition of Dragged to Hell is full of dark, noisy, and oftentimes beautiful music that I have been listening to lately. Most of the mix features newer tunes, but I did throw in a few classics as well. 17 tracks, 57 minutes.
1. BLVCK CEILING – LINDA IS A PARTY GIRL
2. cloud becomes your hand – lord looks good
3. Moon Mirror – Cold
4.Starfoxxx – #GIRLS
5. Chiffon – Alpha Spit
6. Shadowrunners – Megazord
7. Horse Head – ‘We Can Win’
8. ▲NDRΛS – 1000 Knives
9. Xyloid – Space
10. Mater Suspiria Vision – Paracusia
11. TALK ALL NIGHT – Surveillance
12. Andrea – Your Morning (Sun Glitters Remix)
13. Lil B – Vampires
14. Yung Lean – Gatorade [Prod. Yung Gud]
15. Raindeer – Monster
16. Noah23 – Coming Home
17. D/SIR – Nemesis
Photo by Jessica Remington and edited by me