Dragged to Hell 35 clocks in just under 70 minutes and was an attempt at creating a narrative through a 20 song mix. It has peaks, valleys, and hopefully some new artists for you to enjoy.
Joanna Gruesome – There Is No Function Stacy
Cherubs – Sandy On The Beach
Clean Girls – No New Friends
VEXX – Falling Down
Pianos Become the Teeth – The Queen
whenskiesaregray – Timelines
Superheaven – All the Pain
The Vaccines – Want You So Bad
Downtown Boys – Future Police
Sneaks – New Taste
elvis depressedly – thou shall not murder
93millionmilesfromthesun – New Day Comes
Malka – Diamond Girl
Faith No More – Matador
Noisem – Trail Of Perturbation
Holly Herndon – Locker Leak
Jamie xx – The Rest Is Noise
Container – Remover
SPC ECO – Playing Games
Blacksage – Casualty
Photo of Downtown Boys by me (from a 2015 Wind Up Space show)
Dragged to Hell Volume 21 is a special, dance party ready mix. I have selected tunes from the last few months (not all songs are that new, some are just that new to me) that fall in the hip hop, dance, electronic, industrial, and whatever I felt fit the mix.
Silk Rhodes – Barely New
Sage The Gemini – Gas Pedal (Meth Dad Remix)
Lttle Phnx – Koromiko
Chris Travis – Let Down
Death Grips – Black Quarterback
Mykki Blanco – Moshin In The Front feat. Cities Aviv
ABDU ALI & BLAQSTARR – I, EXIST (BLAQSTARR REMIX)
Yung Lean – Sandman
Matic808 – Bound 2 (Yeezus)
clipping – mouth (ft. black mushroom, chinaka hodge)
Frontline Assembly – Echogenetic (Youth Code)
YTCracker – Convalescence
☠JAYYEAH☠ – The Swing 1767
Dean Garcia– Fifteen
Nerftoss – Bottomless
How to Dress Well – A Power
I am playing catch up here (DTH21 already dropped…) and here is Dragged to Hell 20! This mix features a slew of genres; spanning noise, industrial, pop remixes, hip hop, pop, synthpop, nerdcore, and noise rock. Enjoy!
Andre Martel – Blow-Up Dolls [Prod. By Eyedress]
Ricky Eat Acid – this goes out to…
Miley Cyrus – Wrecking Ball (Meth Dad remix)
couples counseling – hope u nevr hear this
Weyes Blood – Summer
Niil Dymon – Go Online
Thom Yorke – Truth Ray
Panda Bear – This Side of Paradise
Bleachers – Take Me Away (feat. Grimes)
Dope Body – Repo Man
Godflesh – Carrion
Sylvan Esso – Play It Right
Crosses – Prurient
Yung Lean – Leanworld
Lttle Phnx – Ethiopian Opal
Ultraklystron – Spike Bracelet
YTCracker – Night Terror
Beach Boys – Wouldn’t It Be Nice (Schwarz Club remix)
Thurston Moore – Vocabularies
Pharmakon – Body Betrays Itself
(photo by me of “Snowmagedon”)
2014 was a great year for electronic music (or at least for the kind that I like). From noise, to experimental, to pop remixes, to hip hop, to shoegaze, and witch house; there were great examples of all kinds of knob twiddlers this year across a ton of genres. These are the ten “electronic” releases that I enjoyed the most this year. As with my Baltimore list, I included a link to Mixcloud that features a mix that I made highlighting one song per release.
That Was Then This is Now – Fables: This duo (producer BLVCK CEILING and vocalist Moon Mirror) make dark electronic music heavy on the beats and the melodies. They make music that could be described as haunting, and beautiful. This full length by them was in heavy rotation for me this year.
Screen Vinyl Image/Bloody Knives – Split: This was one that could have either gone on this list (it does feature synths) or on my next list, for “rock” releases (it does feature guitar/bass guitar). I am a huge fan of both bands, and am glad they were brought together for this twelve track release by the ever excellent Accidental Guest Records. RIYL Shoegaze.
Thom Yorke – Tomorrow’s Modern Boxes: Two things about this release. 1. It is minimal interesting little electronic ditties by Thom, RIYL Kid A. 2. He had an interesting way of releasing it, focusing on torrents (link is in the title).
clipping – clppng: Clipping might have been the most exciting act that I saw this year, (I am still working on my live list) and also dropped an album that is the perfect mash of noise and rap. The lyrics are tight and delivered with a fast flow, while the beats bang and hiss, just on the edge of being grating (in a good way).
Meth Dad – Remixes: This is the first ever non-Baltimore release that Friends Records has put out. And for good reason, Meth Dad slays the pop world and makes beautiful beats. This features his re-imaginings of such artists as Miley Cyrus and Katy Perry.
the Body – I shall die here: The Haxan Cloak plus the Body? Yes please. This eerie album pairs scary atmospherics with a relentless beat and pounding bass. Wailing is had. This is what pain sounds like.
Pharmakon – Bestial Burden: Pharmakon delivers another monster of an album. Seeing her live is quite the treat, and she is able to somehow capture the intensity of her live shows, in record form. I look forward to seeing her again (saw her at Hopscotch in 2013) next year.
Aphex Twin – Syro: I bought Drukqs while living in South Korea, and was quite disappointed by Aphex Twin’s (one of the first electronic musicians that I got into in high school) last album. That was a long 13 years ago. A lot has changed. Including the fact that their is now a new Aphex Twin album, and it is actually good. The tracks are all solid, beat driven affairs. The formula is followed: glitchy beats, distorted and twisted sound and synths, and weird track names.
††† (Crosses) – Crosses: Chino from Deftones side project that is a mix of shoegaze like guitars, electronic beats, and synth soundscapes. Prurient might be my favorite song of the year. I was really blown away by the tunes, and this one ranks up there for me for amounts of times I listened to it.
Zola Jesus – Taiga: Rounding out the list is Zola Jesus. I have been a fan for a couple years, but this album really caught my attention on first spin. Masterful electronic tracks that recall a handful of subgenres, her music could definitely blow up and become the next big thing. I could see this competing against some of the other heavy hitters making modern pop music.
Cover image of clipping is by me, taken at Metro Gallery in Baltimore in 2014.
Dragged to Hell 19 is hip hop heavy. Commercial and underground are mixed in this mix, side by side. Most of the popular tunes are slowed down.
This mix also features a little bit of noise and experimental music at the end. (originally released a couple months ago. Volume 20 coming soon)
Force Publique – Sacrifice
Milky Chance – Stolen Dance
Ami Dang – Kissed by the Fire
Tinashe – 2 On (feat. Schoolboy Q)
Abdu Ali – Shiva (prod. by B L A C K I E)
Shabazz Palaces – …down 155th in the MCM Snorkel
Waka Flocka – Move That Dope (DatPiff
clipping – guns.up
Atari Teenage Riot – We Are From the Internet
Puerto Rico Flowers – After The Weekend
Ellah A. Thaun – K I L L YouR F R I E N D S
Locrian – Triumph of Elimination
York Factory Complaint – Loved
cover/picture by me
Dragged to Hell 17 features 22 rock and roll tracks from some amazing female voices that are currently kicking ass. The tracks run the gamut from indie folk to noise-punk. 1 hour and 10 minutes long. Image was taken by me of the only Afghan girl that I saw in 9 months.
SoftSpot – The Cleansing Hour
Which Magic – High Already
the Courtneys – Insufficient Funds
Body/Head – Everything Left
SLUTEVER – No Offense
NUDITY – BADD TEEETH
Jail Solidarity – Cries and Hues
Manic Sheep – You Lie, You Choke the Rules We Trust
Pleasure Leftists – Passage on a Ghost Ship
Shannon And The Clams – Into A Dream
Potty Mouth – Damage
White Murder – Safety in Numbers
Speedy Ortiz – Tiger Tank
the Stargazer Lilies – Sad Colored Tears
SISU – Light Eyes
Veronica Falls – If You Still Want Me
Joanna Gruesome – Satan
Young Trynas – Be Gone
GOAT – Run To Your Mama
Hunters – Brat Mouth
Magik Markers – Mirrorless
Perfect Pussy – III
Beyond Inversion was released by label Accidental Guest Records (a local to my area, label ran by Sean Grey, who also partly runs Fan Death Records, another favorite label of mine) late last year, and features 23 tracks from across the spectrum of punk and post-punk music. There is seriously too much goodness on this compilation (I can’t imagine me liking any other comp as much, for at least the next year) to go through it all. First off, it is a benefit release. Bandcamp lists this for info on the benefit:
all proceeds will benefit Rachael’s Women’s Center in DC, a nonprofit agency which provides resources and opportunities for homeless and formerly homeless women. A silkscreened poster accompanying this release will also be available for purchase, with proceeds also going to Rachael’s Women’s Center.
About Rachael’s Women’s Center:
To provide homeless and formerly homeless women with opportunities to develop their independence, sense of self and hope by:
Providing safety, shelter, food, showers and laundry in a nurturing, homelike environment;
Helping women to reach their potential through intensive case management and programs that empower them to take control of their lives and advocate for themselves.
Rachael’s also reaches out to individuals living on the streets, enabling and encouraging them to access services and benefits available to people who are homeless.
Rachael’s Women’s Center is a place of hospitality and hope for women who are homeless. When given the chance to heal in a caring and challenging environment, women can be enabled and empowered to bring forth their forgotten and lost potential. The Center asserts the right of all women to be treated with respect and dignity. We believe that in a non-judgemental and supportive environment that all women can find meaning, self-respect, hope, personal power, and love regardless of race or life experiences. In this environment we maintain that all women can evolve into more independent, self-reliant individuals who can more effectively contribute to the communities in which they live.
Rachael’s Women’s Center
1222 11th Street, N.W.
Washington, D.C. 20001
Next up, the music. Here are some of my highlights from the record. Perfect Pussy offer up another slice of noise punk goodness (much needed after such a short EP). Bret Lanahan (drummer of Roomrunner) proves he is equally as bad ass on both sides of the drum kit, with an excellent solo blast. Hive Bent lends Tomgirl, a personal favorite of mine from their last release. Clean Girls also gave a track I already had, but a good one. Roomrunner have a demo of the mythical ESPN Zone. Scott Russell’s A Guide to Rational Living track Careful kills it. Technicolor Teeth makes shoegaze but not really. Stillsuit, love the name (huge Dune nerd), and this song is bananas; free-jazz noise freakout punk? Jail Solidarity brings the heaviness. Sadie Dupuis (of Speedy Ortiz fame) shows that she can rock it 90s style solo or with her band. Ok, enough ruminations on these tracks. My descriptions definitely don’t do these songs justice. GO LISTEN/SUPPORT THIS ALREADY!
I decided to do a couple of things with my blog this year. One is write more. The other is write more about the shows that I go to. I used to do this quite a bit on an old blog, and decided I needed to get back in the habit. I haven’t decided if this will be the format every time, but at least for now I am going to write about the bands in the order they played, with pictures intermingled of each band.
The first show that I attended in 2014 was at the Metro Gallery in Baltimore (one of my personal favorites in the DC/Baltimore area) on January 8. The bill was loaded with noise-rock, noise-punk, punk… Big guitars, loud drums, distortion… Exactly what I usually look for in seeing live music. I hung out for a little bit waiting for the music to start and then with a cold one in my hand, I proceeded to take a spot near the stage to catch some music.
Hive Bent were up first. They were the only band on the bill that I had already seen, and this time was as enjoyable as the last. After a couple of equipment issues at the beginning to the set (guitar string breaking and a bass pedal swap out), they played their brand of loud, heavy, and noisy rock and roll. The around 30 minute set length was indicative of the rest of the night, where even the headliner played a short set. I personally was excited to hear Rick and Tomgirl, two of my favorites from the U Neutral EP.
Second up was Multicult, a local three-piece who have been on my radar for a while, but I had yet to see live. Their seven song set included both tracks off of their excellent single from last year. I would describe their music as crushing, precise, and mathematical. The bass and guitar riffs were fast and so much was going on in each track. I decided to grab their Spaces Tangled vinyl and look forward to listening to that soon.
The third band was Big Mouth. I didn’t know anything about them before the show, but was excited due to how excited Stph of Hive Bent was on stage earlier that they were opening for them. The band (who hadn’t played in three months I overheard them say) was pretty on point. Riff-heavy punk rock with a frontwoman who spent most of the set in the crowd bumping into people and singing into their faces. It was a lot of fun, and I would definitely like to see them again. One note, the guitarist had a broken foot, and she tried her hardest to rock, playing some songs sitting and some with her foot propped in a seat.
And lastly, the headliners took the stage. Perfect Pussy are Dragged to Hell alums (their EP was on my Favorite Releases of 2013 list and I also featured a short writeup (one of the first rock based ones for this site, but definitely not the last) of the EP). Meredith and company weren’t just noisy punks on record, they were also some noisy punks on stage. She led the boys through a few sonic blasts of noise with a boundless energy. I think the buzz they have received lately is well warranted, and I hope they are around for a lot longer. I also look forward to hearing what is the next step in their sound. Will they continue their sonic annihilation? Their punk/noise combination is one I recommend for anyone that likes their music noisy. Perfect Pussy’s set was also the shortest of the night, clocking in around fifteen minutes. And while I would have liked a little more time, I left the show fully satiated, as their set was extremely intense. All in all, it was a great way to start off my live music attendance for 2014.
(all pictures are taken by me and from my Instagram account)
I am going to keep the descriptions short and sweet. These 20 releases made up my other favorites that aren’t from Baltimore, or dark/electronic. A very East Coast heavy list, with Massachusetts having a strong showing. In no particular order, the rest of my favorites (and a mix).
1. ovlov – am: catchy noise rock is what these brothers deal in
2. Exit Calm – The Future Isn’t What It Used To Be: second album of soaring British shoegaze; vocals are up front unlike a lot of their peers
3. The Courtneys – The Courtneys: probably what I sang along to the most this year in traffic was from these Canadian Keanu Reeves enthusiasts
4. BAMBARA – DREAMVIOLENCE: noise powered pedal theatrics from this NYC band; their day time set at Hopscotch this year was easily among my top five favorite for the year
5. The Polyphonic Spree – Yes, It’s True: the only kickstarter project I supported this year; I have drank their Kool Aid for over a decade, and this one didn’t let me down
6. Sebadoh – Defend Yourself: one of my favorite bands of the 90s return to form; I am glad I was able to see them on tour for this
7. Locrian – Return To Annihilation: I was lucky enough to see them on their short tour for this album; their set’s mix of ambient metal synths and guitars let me wanting more
8. Wolf Eyes – No Answer: Lower Floors: I always thought I wouldn’t like them because they would be too harsh; this release is just the right combo of noise and songs (also another killer band I was able to catch this year)
9. Weekend – Jinx: beat driven shoegaze release
10. Veronica Falls – Waiting For Something To Happen: pop from London; another sing along fest
11. The Stargazer Lilies – We Are The Dreamers: ethereal shoegaze release from Soundpool alums
12. Placebo – Loud Like Love: another strong release from a mainstay in my favorite list; I am not sure if this will convert anyone, but is a treat for fans of the band
13. Chelsea Light Moving – Chelsea Light Moving: I like all the post-Sonic Youth bands but only wanted to include one; CLM made the cut since I listened to this the most, and also really enjoyed the tracks when I experienced them live
14. Kal Marks – LIFE IS MURDER: Guitar heavy Boston band featuring a vocalist with one of the most unique voices I have heard in rock music in a long time
15. Paint Branch – I Wanna Live: the only DC based band on this list; which is sad, I spend a lot of time every week in that city; smart, vocal driven pop from ashes of Q and not U
16. Krill – Lucky Leaves: another reason Massachusetts kicks ass with its music scene
17. Palehound – Bent Nail: another release that has a 90s vibe to it; nice mix of acoustic and electric parts and also singing about a range of topics including pet carrots
18. DJ Dog Dick – The Life Stains: NYC based noise artist releases a instant noise pop classic; beats, singing, basslines, and melodies abound
19. PERFECT PUSSY – I have lost all desire for feeling: probably the noisiest of all of these releases, shoegaze ones included; too short at four songs and they leave you wanting more
20. Potty Mouth – Hell Bent: this band of punk rockers put on one of the funnest sets that I attended this year at an all ages event at an alternative worship place; much ass was kicked
the image of Locrian synth player/singer Terence Hannum at the Metro Gallery in Baltimore was taken by me