Perfect Pussy/Big Mouth/Multicult/Hive Bent at Metro Gallery

I decided to do a couple of things with my blog this year.  One is write more.  The other is write more about the shows that I go to.  I used to do this quite a bit on an old blog, and decided I needed to get back in the habit.  I haven’t decided if this will be the format every time, but at least for now I am going to write about the bands in the order they played, with pictures intermingled of each band.

The first show that I attended in 2014 was at the Metro Gallery in Baltimore (one of my personal favorites in the DC/Baltimore area) on January 8.  The bill was loaded with noise-rock, noise-punk, punk… Big guitars, loud drums, distortion… Exactly what I usually look for in seeing live music.  I hung out for a little bit waiting for the music to start and then with a cold one in my hand, I proceeded to take a spot near the stage to catch some music.

Hive Bent were up first.  They were the only band on the bill that I had already seen,  and this time was as enjoyable as the last. After a couple of equipment issues at the beginning to the set (guitar string breaking and a bass pedal swap out), they played their brand of loud, heavy, and noisy rock and roll.  The around 30 minute set length was indicative of the rest of the night, where even the headliner played a short set.  I personally was excited to hear Rick and Tomgirl, two of my favorites from the U Neutral EP.


Second up was Multicult, a local three-piece who have been on my radar for a while, but I had yet to see live.  Their seven song set included both tracks off of their excellent single from last year.  I would describe their music as crushing, precise, and mathematical.  The bass and guitar riffs were fast and so much was going on in each track.  I decided to grab their Spaces Tangled vinyl and look forward to listening to that soon.


The third band was Big Mouth.  I didn’t know anything about them before the show, but was excited due to how excited Stph of Hive Bent was on stage earlier that they were opening for them.  The band (who hadn’t played in three months I overheard them say) was pretty on point.  Riff-heavy punk rock with a frontwoman who spent most of the set in the crowd bumping into people and singing into their faces.  It was a lot of fun, and I would definitely like to see them again. One note, the guitarist had a broken foot, and she tried her hardest to rock, playing some songs sitting and some with her foot propped in a seat.


And lastly, the headliners took the stage.  Perfect Pussy are Dragged to Hell alums (their EP was on my Favorite Releases of 2013 list and I also featured a short writeup (one of the first rock based ones for this site, but definitely not the last) of the EP).  Meredith and company weren’t just noisy punks on record, they were also some noisy punks on stage.  She led the boys through a few sonic blasts of noise with a boundless energy.  I think the buzz they have received lately is well warranted, and I hope they are around for a lot longer.  I also look forward to hearing what is the next step in their sound.  Will they continue their sonic annihilation? Their punk/noise combination is one I recommend for anyone that likes their music noisy.  Perfect Pussy’s set was also the shortest of the night, clocking in around fifteen minutes.  And while I would have liked a little more time, I left the show fully satiated, as their set was extremely intense.  All in all, it was a great way to start off my live music attendance for 2014.


(all pictures are taken by me and from my Instagram account)

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